CRITICAL ACCLAIM
“...played by the Left Bank String Quartet with brilliant focus and timbral variety”
“...the Left Bank Quartet played this difficult score with confidence that bespoke enormous attention to detail. Schoenberg’s opulent harmonies rang with bell-like clarity.”
“...has a patina of venerability that adds a relaxed glow to everything they touch”
“...it was the structure, laid out transparently, that the quartet communicated so well”
“...approached the work with masterful fluency and a high-Romantic flexibility in tempo and spirit”
“The Left Bank ensemble played the piece with an engaging sense of conviviality, as well as an ability to change character midstream and slide from one tempo to another with the coolness of the best jazz musicians.”
“...intense, driven, technically precise, yet loaded with feeling.”
“The Left Bank Quartet gave a thoroughly worked-out account of Leos Janacek’s ‘Intimate Letters’, accentuating the drama that pervades this mercurial work.”
“The performance could not have been more unified and attentive: The players seemed to breathe as one.”
Mark Edwards Wilson Dream-Crossed Twilight I. Striving Left Bank Quartet David Salness and Sally McLain, violins Katherine Murdock, viola Eric Kutz, cello
Mark Edwards Wilson Dream-Crossed Twilight II. Dreams Left Bank Quartet David Salness and Sally McLain, violins Katherine Murdock, viola Eric Kutz, cello
Mark Edwards Wilson Dream-Crossed Twilight III. Spiro Spero (I breathe. I hope.) Left Bank Quartet David Salness and Sally McLain, violins Katherine Murdock,...
Live performance from the Phillips Collection, 2016
Beethoven String Quartet Opus 95, Movement I
RECORDINGS
Time Variations (2008)
Music composed by Mark Edwards Wilson and performed by the Left Bank Quartet.
New Paths (2011)
Music Composed by Lawrence Moss. String Quartet No. 4 performed by the Left Bank Quartet.
https://www.innova.mu/albums/lawrence-moss/New-Paths-Lawrence-Moss
http://www.arkivmusic.com/classical/Name/Left-Bank-Quartet
GALLERY
photo credit Claudia Löhner
photo credit Geoff Sheil/The Clarice